A done-for-you video editing service for ecommerce brands, creators, founders and agencies. Performance ad edits, UGC video editing for Meta ads, Reels and TikTok, YouTube, talking-head and AI-avatar cuts — real editors plus AI speed, hook-first from frame one. Send footage, get publish-ready video back in a day.
₹50Cr+ / US$6M+ ad spend managed · 280+ brands since 2020 · The edit style running daily on @amanrai.official
Here's the thing most editing shops get backwards: a beautiful edit nobody watches past second three is a failed edit. On paid social the edit is the media buy — the same footage cut two ways can double or halve your cost per result. We edit like people who buy the traffic behind the video every day, because that's exactly who we are. If you want the argument for why done-for-you beats juggling freelancers, read the done-for-you content breakdown.
One team, one standard, across every format your funnel needs. Shopify and DTC brands come for product video editing and creative testing volume; creators come for a YouTube video editing service that holds retention; founders come for talking-head editing they'll actually keep up with. Send the raw material; we do the rest.
Meta ads and Google-ready performance creative cut for a metric, not applause. Multiple hook variants per concept so your media buyer can test what actually lowers CPA.
Raw creator footage turned into scroll-stopping ads: b-roll, captions, pattern-interrupts and native pacing that doesn't read as an advert.
Vertical short-form for Instagram, TikTok and YouTube Shorts — punchy, captioned, trend-aware, built to hold retention to the last frame.
Full episode edits with chaptering, motion graphics, retention cuts and thumbnails on request. Paced so people finish, not bounce.
Founder, coach and expert content tightened: dead air gone, best takes stitched, captions and lower-thirds that keep the message clear.
Have an avatar or clone render? We finish it like real footage — cuts, captions, scenes and formats. Judge the bar on @amanrai.official.
I'll be blunt about the one thing separating an edit that sells from an edit that just looks nice: retention engineering. Most editors optimise for the wrong frame. They polish the middle, drop a slow branded intro on the front, and lose most of the audience before the pitch even lands. We invert that. The hook is cut before anything else, the first line does a job, and every three to five seconds we give the eye a reason to stay — a cut, a caption pop, a b-roll beat, a zoom. That's not decoration. On a phone at 11pm, it's the difference between a 3-second view and a purchase.
Four stages, and you touch two of them — the brief and the approval. Everything in between is ours. This is what people are really after when they search for a video editor to hire: a team with a process, not a marketplace gamble.
The service is remote by design, and the time zones work in your favour rather than against you. Here's how each market actually uses us.
| Market | Who hires us | What they ask for |
|---|---|---|
| United States | Shopify and DTC brands, media buyers, YouTubers, agencies | Performance creative and UGC video editing for Meta ads and TikTok, product video editing, creator retention edits, VSL cutdowns. Hook rate and 3-second retention are the scorecard. |
| United Kingdom | Brand and marketing managers, London agencies, SaaS teams | Social-first post-production and video advert editing, end-to-end handling of overflow, British tone in captions and colour grading. GBP invoicing available. |
| UAE | Dubai and Abu Dhabi brokerages, clinics, founders, event teams | Property walkthroughs, agent talking-heads, listing Reels at volume, clinic before-and-afters, English plus Arabic subtitle versions. We work UAE hours and know the Ramadan, DSF and Gitex campaign crunches. |
| Australia | Sydney, Melbourne, Brisbane and Perth ecommerce owners, coaches, boutique agencies | Reels and TikTok editing, ecommerce video ads, small-business social. Send footage at close of business, open the edit the next morning — our day is your night. |
| Canada | Toronto and Vancouver DTC brands, creators, consultants | The same performance creative and YouTube editing as the US, on EST and PST review cycles. CAD invoicing available. |
Sharjah, Auckland and the rest of the map are welcome too — the delivery method doesn't change. Files move through a shared drive both ways, notes come back on timestamps, and nobody has to sit in a call at 3am.
Every project is quoted on a call once we see your footage and volume — no fixed packages. Three shapes cover almost everyone, and they differ by scope and volume band rather than by a tier name on a page.
| Option | Best for | What it covers |
|---|---|---|
| Per-project | One-off ads, a launch batch, a single campaign | A defined set of edits with captions, sound and per-platform formats — a product launch batch, a round of ad variants, or one long-form piece. No ongoing commitment. Scoped on a call. |
| Monthly retainer | Brands and creators posting consistently | A steady weekly output with the same editor learning your brand, multiple hook variants per concept, a priority queue and a fixed delivery rhythm. Scoped on a call. |
| Scale | Teams running paid plus organic across channels | High-volume multi-channel output: daily short form, ad variants at testing pace, motion graphics, language versions and a dedicated editor. Scoped on a call. |
What actually moves a quote: how many videos a month, how long they run, whether you need motion graphics, how many hook variants per concept, and how many language versions. We'd rather see two minutes of your footage than guess at a number, which is why the scoping call comes first. Invoicing is available in USD, GBP, AED, AUD, CAD or INR.
A quiet chunk of this work is invisible: US, UK and Australian agencies running our editors as their own post-production department. You brief us, we deliver unbranded files on your naming convention, under NDA, and your client never hears our name. It's the same operating model we describe on the white-label agency page, applied to edit-only work — capacity without a payroll line.
Built for: ecommerce and DTC brands running paid social who need a steady stream of testable ad creative; founders and experts whose talking-head content should be shipping weekly but isn't; UGC-led brands drowning in raw creator footage; YouTube channels that need consistent retention editing; and agencies that want editing capacity without hiring. If your growth depends on video volume and quality, this is the fit.
Not for: anyone hunting the cheapest possible gig-site edit with no standard — we're not that, and we won't pretend to be. Also not for one-off wedding or event films; we're a performance and social editing shop, not a cinematic events studio. If you want the person and the content produced end-to-end without you filming, the AI clone service is the better door.
We take your raw material and hand back publish-ready video. That covers performance ad edits for Meta ads and Google, UGC and creator edits, Reels and TikTok, YouTube Shorts, long-form YouTube for creators, and talking-head or AI-avatar edits. You send footage, screen recordings, UGC clips or an avatar render plus a two-line brief; real editors cut it hook-first, add captions, sound design and colour grading, and deliver in 9:16, 1:1 and 16:9 together.
Every project is quoted on a call once we see your footage and volume — no fixed packages. Three shapes cover almost everyone: per-project for one-off ads or a launch batch, monthly retainer for a steady weekly output, and scale for high-volume multi-channel output. What moves the number is volume, video length, motion graphics, number of hook variants and languages, so we scope it live rather than guess. Invoicing is available in USD, GBP, AED, AUD, CAD or INR.
Short-form edits come back in 24 to 48 hours each once we have the footage and brief. Long-form YouTube runs three to five days depending on length. Our India hours overlap the Australian morning and the UAE working day, so Sydney and Melbourne clients can send footage at close of business and open the edit with their coffee, and Dubai teams get same-working-day replies. Retainer clients get a fixed weekly delivery rhythm, and a rush option pulls single edits to same-day where the raw material allows.
Yes, and most brands posting weekly end up there. A monthly retainer gives you a set output every week, the same editor learning your brand, multiple hook variants per concept and a priority queue, which beats reposting a brief to a new freelancer each time. Two revision rounds ship as standard on every edit; brands that test hooks aggressively can remove the round cap. The retainer shape is scoped on a call.
Real editors make every creative decision — hook, pacing, cut points, captions, sound. AI handles the mechanical passes: transcription, rough silence removal, first-pass caption timing and asset sorting. That combination is why we hold ad-quality standards and still turn short form around in a day, without the churn-shop feel of the cheapest gig-site listing.
Yes. The service runs fully remotely. US and Canadian DTC brands use us for performance creative and UGC editing, UK marketing teams and London agencies use us for social-first post-production overflow, Dubai and Abu Dhabi clients use us for property, clinic and personal-brand Reels, and Australian owners in Sydney, Melbourne, Brisbane and Perth use the overnight time-zone gap. Files move through a shared drive both ways, and invoicing is available in USD, GBP, AED, AUD, CAD or INR.
Yes. Agencies in the US, UK and Australia run our editing team as their own post-production capacity: we work under NDA, deliver unbranded files on your naming convention, and never contact your client. It is the same model we describe on our white-label performance marketing page, applied to edit-only work, and it is how agencies add output without hiring an in-house editor.
Yes. Dubai and Abu Dhabi clients regularly ask for English and Arabic versions of the same cut, with burned-in Arabic subtitles for feed placements. We also handle Hindi and other language subtitle passes. Tell us the languages during scoping so the caption and layout work is planned into the edit rather than bolted on afterwards.
Get your edit plan on a call. Twenty minutes to scope your formats, volume and turnaround — or send a test clip and see the edit before you commit.
Get Your Edit Plan on a Call Start on WhatsApp Prefer email? Write to contact@adsworm.com